KVIST 006 – Tom Hamilton “Pieces for Kohn/Formal & Informal Music” out now!

Kvist006 - Tom Hamilton - Pieces for Kohn/Formal & Informal Music

Kvist 006 – Pieces for Kohn/Formal & Informal Music by Tom Hamilton is out now on 2 x CD format and available for purchase on the release page.

About Pieces for Kohn/Formal and Informal Music:

Reissue of 2 out-of-print works originally released on the artist’s own Somnath label. Formal and Informal Music contains the title piece Formal and Informal Music (1980), and Crimson Sterling (1973) for electronics, winds and percussion, and also features JD Parran, woodwinds and saxes, and Rich O’Donnell, percussion. Pieces for Kohn is comprised of four electronic pieces, musical responses to four paintings by artist Bill Kohn.

About Tom Hamilton:

TOM HAMILTON has been composing and performing for over 40 years, and his work with electronic music originated in the late-60s era of analog synthesis. Hamilton often explores the interaction of many simultaneous layers of activity, prompting the use of “present-time listening” on the part of both performer and listener.

Hamilton was a 2005 Fellow of the Civitella Ranieri Foundation, and he participated in a residency at the foundation’s center in Umbria. His CD London Fix received an honorary mention in the 2004 Prix Ars Electronica. His performing and recording colleagues have included Peter Zummo, Bruce Gremo, Karlheinz Essl, Bruce Arnold, Rich O’Donnell, Jonathan Haas, Jacqueline Martelle, Al Margolis, Steve Nelson-Raney, Hal Rammel, Christopher Burns, Thomas Gaudynski, Rick Aaron, Thomas Buckner, David Soldier, Bruce Eisenbeil, Richard Lerman, and Lisle Ellis. He has been a collaborator with visual artists, including Fred Worden (filmmaker), Van McElwee and Morey Gers (video artists), and the late Ernst Haas (photographer).

An active participant in New York’s new music scene, Hamilton was the co-director of the 2004 Sounds Like Now festival, and he has co-produced the Cooler in the Shade/Warmer by the Stove new music series since 1993. He is a longtime member of composer Robert Ashley’s touring opera ensemble. His audio production can be found in over 50 CD releases of new and experimental music, including recordings by Muhal Richard Abrams, David Behrman, Thomas Buckner, Bernard Hoffer, Alvin Lucier, Roscoe Mitchell, Phill Niblock, and “Blue” Gene Tyranny.

Tom Hamilton’s sound installations have been presented in New York at Diapason, Studio Five Beekman, the 479 Gallery and Experimental Intermedia, and elsewhere at CCNOA (Brussels) The St. Louis Art Museum, CalArts (Valencia, CA), the Sound Symposium festival (St. John’s NF), Woodland Pattern Book Center (Milwaukee) and the Subtropics festival (Miami).

Recordings include:
Local Customs (Mutable)
Shadow Machine (Pogus)
Intersections (Muse-Eek)
Disklaimer (Muse-Eek)

London Fix (Muse-Eek)
Analogue Smoque (Pogus)
Jump The Circle, Jump the Line (Mutable)
Slybersonic Tromosome (Penumbra)
Sebastian’s Shadow (Monroe Street Music)
Off-Hour Wait State (O.O.)
Act of Finding (O.O.)

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